Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

Sunday, November 18, 2018

Biography as Art Practice


In 1982, one of my professors at the Corcoran College of Art & Design, Washington, DC (yes, that Corcoran) said that you could sweep the studio floor and put it into the artwork I was making. 
 
"The Spirit of Myth", 2004, 88" x 66", Latex Enamel, dirt, kitty litter, & wood chips on canvas
James Thatcher  copyright  2018

It was 15 years before I actually did that, but the essence of the comment was about making artwork that used the stuff of life as a medium.  This concept has led me to embed tree branches, bark, and leaves, or hay in paint, and employ parts and processes from a 24-year career as a cabinet maker into decades of artwork.  

"Chiaroscuro", 2015-18, 48" x 72", Latex enamel, hay, bulrushes, kitty litter
on plywood panel.  James Thatcher  copyright  2018


Detail, "Chiaroscuro", 2018, latex enamel, hay, bulrushes, kitty litter on plywood panel.

Installation view, 2014-18, acrylic on canvas.

But the 2008 financial crisis forced a retirement from cabinet making and changed everything.  I joined the staff of a missions-based ministry that I’d been volunteering with in southern Appalachia.  We did mission day trips every week, where I experienced the necessity, the power, and the joy of serving “the least of these.”
Now, 10 years later, I have reconnected with that passion as a volunteer for the United Community Action Network (UCAN) food bank in Roseburg, Oregon.  This portfolio is based on that volunteer work, both emotionally and by “using the stuff of it” as a medium.
  
"Portrait Box", one of 4 sides, 2018, 20" x 16" x 10",
Black & white gesso, latex paint on banana box.
James Thatcher  copyright  2018



"Portrait Box Rotation", 2018, Black & white gesso, latex paint on banana box.


"Food Insecurity", 2018, 96" x 80", Black gesso & latex paint
on deconstructed banana boxes, stapled to loading pallets.
James Thatcher  copyright  2018


The food distribution system, from the Oregon Food Bank in Portland, to UCAN, to the food pantries and recipients in Douglas County, relies on banana boxes as carriers.  As such, banana boxes are the natural choice for a substrate, along with loading pallets, to depict issues of food insecurity.

Proposed Installation, 24 units, 20" x 16" x 10"
Black & white gesso, latex paint on banana boxes
James Thatcher  copyright  2018

This portfolio speaks of my personal history in exploring art materials, of hands-on ministry, of experience in food distribution, and passion for confronting food insecurity. 


"The Light Shines Through Our Imperfections", 2018, 40" x 48"
Black & white gesso,latex paint on deconstructed banana boxes,
stapled to loading pallet, with two florescent lights.
James Thatcher  copyright  2018

My biography is reflected directly in my art practice.

Sunday, December 3, 2017

Portfolio Spread


Construction Study, 2014, 96", Latex Paint on Pine

"Hypar w/2 Equations", 2015, 14" x 7", Acrylic on Canvas

"Blue Braid 1/30", 2016, 16" x 8", Acrylic on Drywall Tape

Study based on Norwegian Architect, Soren Korsgaard, 48", Pine

"Curabola Layout Study", 2017, 24" x 24", Acrylic on Canvas

"Curabola", 2017, 24", Pine

Hyperbolic Paraboloid,18", 2017, Welded Steel w/Powder Coat Finish

"Oblique Tetrahedron", 2017, 36", Welded Steel w/Powder Coat Finish

"Red Bodice", 2017, 48" x 36" (2 panels), Acrylic on Canvas

All artworks © James Thatcher


Thursday, October 1, 2015

Same Mind, Different Focus

I enjoy seeing one thing lead to another and have become involved with ocean imagery after our recent move to the beach:  The sand fleas, the flounder, the shells...

A wood carving relief begun several weeks ago made me curious about how to create multiples of a whelk shell quickly.


This relief was modeled with Sculpey clay.  In the next step of the process a flexible mold is made from a different formula of Sclupey and plaster versions are cast.



The plaster casts will be affixed to panels as reliefs and painted.  

Please check out some previous blog posts that illustrate similar effects.




Whether individually, multiple reliefs on a single surface, or multi paneled arrays--you may notice a continuity in approach regardless of subject matter. 

Same mind, different focus.

http://jtnwdc.wix.com/jamesthatcherarts