Monday, January 19, 2026

"Art as an Act of Rebellion in an Authoritarian Age"

 The following is from an online Threads post from "CMK." 

"Art an an Act of Rebellion in an Authoritarian Age"

by CMK

Authoritarianism begins in silence, first encouraged, then enforced.  It begins with a narrowing of permissible emotions, a shrinking of the imagination, and a disciplining of thought.  Before an authoritarian regime controls bodies, it seeks to control language, culture, and meaning.  It seeks to dictate what is real, what is valuable, and what is acceptable to feel.

In a world like this, creating art becomes a major act of resistance.  Authoritarianism thrives on predictability.  Art doesn’t comply.

"The Spirit of Myth,"  88" x 66", Latex Enamel on Canvas
James Thatcher copyright 2003 

Authoritarian ideologies rest on a belief that everything and everyone must serve a function.  Art refuses to justify itself in those terms. A painting doesn’t explain its usefulness.  A poem doesn’t argue its productivity.  A sculpture doesn’t apologize for being “impractical.”  Art’s refusal to be instrumental makes it politically subversive.

Freedom begins in a realm of activities that can’t be rationalized by totalitarian logic.  Creativity occupies this space.  It’s an assertion that some parts of the human spirit can’t, and shouldn’t be optimized, surveilled, or controlled.

"Black Eyed Boy,"  primer on plastic pallet, 48" x 42", plus wooden shard extensions
James Thatcher copyright 2018

To create art is to assert that meaning is not dictated from above, from a hierarchy.  To linger in beauty is to claim time the state cannot monetize.  Imagining beyond the world as it is represents a threat to those insisting there is no alternative.

Authoritarian rule requires the disciplining human behavior and the colonization of interiority, one’s soul.  It demands emotional conformity:  the correct fears, loyalties, and resentments.  It punishes ambiguity, irony, doubt, and longing.  In essence, it attempts to flatten human complexity into a single sanctioned narrative.  Art refuses that flattening.

It gives shape to private grief, desire, and rebellion.  It nurtures an inner life that the state can’t touch.  Even when created quietly, secretly, or anonymously, art is proof that the self has not surrendered.  Everything we create becomes evidence of human autonomy.

"Oregon Pre-Raphaelite," gesso on banana crate liner paper, 80" x 40"
James Thatcher copyright 2018

Also, authoritarian power depends on the public not looking too closely.  Not at suffering or corruption or the small ways that dignity is shaved thin.  Art disrupts a cultivated blindness.  Art makes the invisible visible, and once it’s seen, it can’t be unseen.

Authoritarians understand this deeply, which is why we see movements banning books, censoring films, and an introduction of “good” police aesthetics.  They tell us that art is a luxury, that it’s frivolous and ridiculous, when in reality, it’s dangerous.  Because art teaches people to look, and looking is the first step toward refusing.

"WJCK," digital photo
James Thatcher copyright 2018

Authoritarian systems rely on the idea that individuals are interchangeable and expendable.  Creativity, however, is inherently personal.  No one else can make the exact mark you make.  No one else can produce your precise shade of longing, or rage, or joy.  Art returns individuality to people whom the regime would prefer to remain faceless.  Art reclaims the agency of the soul.

Perhaps the most radical thing art does is propose worlds that exceed the present.  Authoritarianism depends on the idea that the current order is inevitable and unchangeable.  Art refutes this.  Every story, every image, every facet of creation declares that alternatives are possible, that the human mind is larger than any apparatus of control.  In this sense, art becomes a rehearsal for freedom.  The totalitarian state fears artists because imagination precedes revolution.

"Dance," 44" x 66" x 12", wood and jute sculpture suspended in front of latex enamel painting
James Thatcher copyright 2019

Authoritarian powers relay on abstractions: “the nation,” “the enemy,” “the traitor.”  These categories erase individual histories and complexities.  Art reverses that erasure.  It focuses on particularity, on the lived experience of a single person.  It returns humanity to those whom political systems reduce to symbols.

When you paint someone’s eyes, you restore personhood.  When you write a character’s grief, you make their suffering undeniable.  When you carve a shape from stone, you refuse to let the world remain shapeless.  Art nourishes empathy, and empathy destabilizes authoritarian control.

"Hope," digital file, size variable
James Thatcher copyright 2025

So, keep creating art.

--CKMCreates





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