Sunday, November 12, 2017

Above the Noise

Lately I have had passionate conversations at art events about feeding the hungry.  My work as a volunteer with a food bank has re-kindled my passion for the cause.

After working in a mission based ministry in North Carolina I understand the spiritual drive to feed the hungry and serve the poor.  By serving “the least of these” we are serving the Most High God.  By ignoring the poor and hungry we ignore Him.

Homelessness, hunger, and generational poverty are pervasive in the Pacific Northwest.  My artwork doesn't communicate anything about this.  What's up with that?

"Migrant Mother", 1936, Dorthea Lange; Collection of the Library of Congress


I’ve been working with geometry, algebra and trigonometry for several years.  It makes sense after 24 years in the cabinet making field.  


But there is a more excellent understanding.

The hexagons, hyperbolic paraboloids and octahedrons that have captivated my attention since 2013 are technical works with clean finishes.  Geometry is an idealized imagery that alludes to higher realities.  


These artworks refer to the peace of God.




Consider Elijah’s experience of the whirlwind, the earthquake and the fire.  Despite the tumult he found that the Lord was not in them.  It was the still small voice that was the Lords.  (1st Kings 19:11-12)  

The disruption, chaos, and turmoil didn't contain the Lord.

We are moved emotionally by what we see and become swept up in our circumstance, our society.  Then we express ourselves out of the abundance of our heart:  anxious, angry, afraid.... 


Our circumstances can blind us to the ever present, all knowing, all powerful God.  We are reminded that those things which are seen are temporary and that the unseen things are eternal. (2nd Corinthians 4:15-18)

"Single Red", 2017, ©  James Thatcher

Clean lines, concise edges, and sequenced colors are an expression of faith and not the world’s noise.

Pine study based on the work of Scandinavian architect, Soren Korsgaard; © 2017
  
I’m keeping on.

1 comment:

  1. What a difference a year makes. https://jamesthatcherarts.blogspot.com/2018/11/portfolio-for-portland-biennial.html

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