The grid is
fine, although the arrangement is asymmetrical:
7 rows of 19, and a bottom row of 16.
The bottom row is perhaps 4 feet below eye level so it isn’t immediately
evident, but the arrangement is very curious.
And
the typing on each page is also vastly curious:
mathematic formulas, groupings that add one character per sheet, hand
written notes delineating every ten marks; enigmatic formulas that follow the
arrangement of numerals, characters, punctuation marks…funky, bizarre,
compulsive.
The dozens
of typewritten pages are not a single sequence.
Several different ideas make the collection all the more interesting. I’ve never heard of this artist, but the
piece got me to search a little, check it out, and learn some— pretty cool,
pretty fun.
Her work on
Google Images reveals page after page as her modus operandi: whether scribbles, numbers (numerals actually),
or equations, the incessant nature of her artwork/installations is a hallmark.
Hanne
Darboven’s artwork at the Hirshhorn exhibition is quite unusual. The ubiquitous 70’s grid got filled with Darboven’s
personal formulas and mathematical progressions. All that empty space, every bit of it is
earnestly filled.
”27K-No8-No26”,
as its title might suggest, is different from the other pieces displayed at the Hirshhorn, even though it
shared some basic formal elements of grid, repetition, and text. Really different; it’s the result of an
artwork which is entirely idea based, rather than aesthetically based.
(Hanne Darboven, photo by Gianfranco Gorgoni, date unknown)
Hanne
Darboven’s artwork made me realize that I knew how to look at abstract
paintings, but that viewing conceptual art was a different experience. It was fun to have disorientation again
when confronted by artwork--from the 70's!
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