Wednesday, February 26, 2014

Conversation with a Friend

Hey Gregory,

Interesting questions and I don’t like my answers to any of them.

 Not selling anything regularly—some small stuff, prints from the website occasionally, a larger piece a couple years back.  Nothing big.

Collections…nothing too grand for painting:  Richard K. Thomas, a DC journalist (now retired—he was who brought me to DC from northern Michigan).  And a local businessman who bought the larger piece a couple years back.

Because of a strategic alliance in the ‘90’s with Mitzi Perdue of poultry fame, I have samples of my woodworking in some good private and state collections, including Bill Clinton, Lady Bird Johnson, former Chinese premier Deng Xiaoping, former German Chancellor Helmut Kohl, and the Perdues; as well as a jewelry box for CNN news personality Paula Zahn.  But….

Peer group?  No.

Art History?


My interest is in making good work, rather than art history.  As such it probably does more to promote art history rather than actually make art history.  Personal relevance is important, and the process of “making something out of nothing” is key for me.  I believe that we express ourselves out of the abundance of our heart, our core—I know that.  Does that contribute to art history?  It does contribute to the culture…and give meaning to my life and the doing of the stuff that I do…where is art history taking place, Gregory?  Who is it affecting? 

Projecting computer art on the walls of the campus may do more for art history than anything, because it’s that random encounter with artwork—big, unusual, and there in your path folks.  It may actually stick with someone--it may be more memorable than  typical art venue exposure.  I really like the graffiti on the trains that pull through town—same thing of big art flashing by unexpectedly.  A lot of it looks the same but still…I do appreciate it, and seeing it.

As far as “Absence”, what does Joan Mitchell’s work say in her absence?  Sam Francis?  How about James Turrell?  Aha!  And Pollock—Yes!  Warhol—I think I’m catching on….

I’m looking to surprise myself as I create; I believe that the surprise is contained in the finished product and possesses a certain “Wow!” factor.  That’s my deal right now—“look where this one went!”  Maybe create a little intrigue about how it got there….

Interesting questions.  Why do you ask?

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